What really caught my eye is how relevant a number of his work is to this project. Pfeiffer had not only physically transformed the video and photos, but he had also changed the original context of these items (by removing the figures of Muhammad Ali and Marylin Monroe).
I won't go into details as to how he did it (don't like re-iterating the punchline of a joke that I might've possibly misinterpreted, see), but here's a great link which gives a good introductory insight to Paul Pfeiffer's artistic practice and body of works. And you could perhaps work things out yourself.

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